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Reviewing 'Zekka', a Book Written by Juugui Bara Seito (Boy A)

Probing the Dark Corners of an Adolescent Mind: Juugui Bara Seito’s Complex Journey in ‘Zekka’

The 1997 Kobe child murders at the hands of 14-year-old Seito Sakakibara shocked Japan and captivated the nation. After serving time in juvenile detention, Seito sought understanding and redemption under the pseudonym Juugui Bara Seito through the release of his autobiographical novel ‘Zekka’ in 2004. This harrowing book gives rare insight into the psychology of a violent youth offender. As an avid gamer, I am reminded how influential entertainment media can be in shaping young minds – for good or ill. Seito’s story prompts difficult but vital discussions around the themes of justice, mental healthcare, and nurturing morality in youth.

The Murders That Rocked Japan
On February 28th 1997, a local Kobe family discovered the decapitated and mutilated body of 11-year-old Jun Hase lying in a grass field. The nature of the wounds was so horrific that the cause of death could not initially be determined. Less than a month later on March 16th, the severed head of 10-year-old victim Ayaka Yamashita was found alongside a disturbing note from the self-proclaimed ‘Sakakibara Seito Killer’. With the child victims and perpetrator all being of elementary school age, panic spread among Kobe residents now fearful for the safety of their own children amidst this unthinkable violence.

The police investigation eventually identified 14-year-old Seito Sakakibara as the suspect following eyewitness accounts and his bag being found near Yamashita’s body. Seito was arrested on July 31st 1997 after a 6 month manhunt and detained in a youth correctional facility. As a minor, he faced trial in family court and in Japan juveniles are not named in criminal cases. He was eventually convicted for the double homicide and sentenced to remain incarcerated until the age of 26. At the time of sentencing in 2000, Seito had been held in detention for 3 years already.

Reflecting on the Past: Writing ‘Zekka’
Just a year before his scheduled release in 2004, Seito began writing ‘Zekka’ (Dirge) – a semi-autobiographical novel recounting his childhood and the events leading up to the Kobe murders. Assuming the pseudonym Juugui Bara Seito (Boy A) – a reference to his withheld identity as a juvenile offender, Seito candidly revealed his innermost thoughts and motivations. He cited the purpose was “to make the link between the two separate histories of the offender and the victims…to complement each other and achieve consistency." This indicates his struggle to reconcile his warped perspective with the objective reality of the suffering caused.

‘Zekka’ instantly sparked controversy in Japan and globally. While some saw it as Seito’s attempt to make amends and achieve redemption through self-reflection, others considered the graphic content glorifying violence and re-traumatizing victim’s families by putting his experience front and center. Across 19 chapters, Seito walks readers through his gradual yet deliberate descent from violent childhood fantasies into the calculated murders that shocked Japan.

Into the Mind of a Killer
Several overriding themes stand out in ‘Zekka’ that reveal the complex psychological architecture underlying Seito’s self-formation as a killer:

  1. Inability to Connect
    Seito paints his parents as largely absent – his father always at work and mother sickly. He describes growing up empty, without meaningful connections – “I had absolutely no drive.” He turned further inward and became a recluse after being bullied for his effeminate mannerisms. This lack of secure human bonds throughout his upbringing likely contributed to deficient moral development and alienation.

  2. Escapism Into Dark Fantasies
    In his isolation, young Seito escaped internally into vivid fantasies filled with graphic violence and revenge against those he envied and hated. He immersed himself in violent anime and slasher films which fueled macabre daydreams described as “the theater of massacre.” As a lifelong gamer myself, I am acutely aware of the power of entertainment media to inspire imagination for good or ill when consumed in excess without real-world connections to anchor back to reality.

  3. Nihilism & Attention Seeking
    Seito displays strong nihilistic attitudes valuing destruction over creation, wanting to “trample down spectacularly beautiful things.” He grew obsessed with the idea of committing the perfect thrill-crime murder to gain infamy as a notorious killer. This morbid quest for fame and excitement at any cost represents his lack of purpose and internal compass.

  4. Sadistic Pleasure in Violence
    The most disturbing aspect is how Seito derives intense pleasure from fantasies and then acts of cruelty towards innocent victims, who he viewed as worthless objects. He chillingly relays, “He could become emotionally moved…while doing harm to others and violating their human rights.” This sadistic appetite for causing suffering indicates clear antisocial and criminal tendencies.

  5. Disconnecting Victims’ Consciousness
    Critical is Seito’s fixation on whether his victims had any awareness of what was being done to them and if at any point they lost consciousness and succumbed to “death blindness” before their actual death. This preoccupation could represent his attempt to minimize confronting the savage reality of his crimes and mute any lingering guilt.

Ultimately Seito exhibits the pathological profile and moral disengagement consistent with violent offenders. However, the fact that the callous Seito and the conflicted author Juugui Bara Seito are one and the same reminds us of the complex duality human beings house within.

Reflecting on Redemption
A question the book prompts is whether Seito is truly rehabilitated. Since his 2005 release, he has reportedly held down jobs, attended his father’s funeral, resided in a Buddhist temple, and avoided further criminality. Based on recidivism rates, most indicators point to successful reform, though unease remains.

While some critics argue Seito should not profit from his crimes or be allowed to control the narrative, I believe ‘Zekka’ has value. It underscores that however⚠️ flawed, broken and misguided violent criminals are, they often still have some seed of humanity within calling to be nurtured. Amidst today’s polarized climate with lack of empathy and appetite for punishment over rehabilitation, Seito’s story compels us to find that which unifies our shared human condition.

I cannot fully absolve Seito’s actions – the innocence lost is irreparable and suffering caused indelible. Yet the 12-year-old in me laments the missed opportunities to set Seito’s life trajectory towards good had care and support reached him sooner. Perhaps therein lies the book’s purpose – to awaken society to take collective responsibility for raising youth of high character and steering wayward children towards the light before shadows consume them.